David only played on this one track. GETTING THE TONE - Similar to the Deep End setup (described above). Here is one of my favorite Boss HM-2 setups: Boss CS-2 compressor, Boss HM-2, Cornish P-1 (or a Ram's head Big Muff) with sustain dialed off, TC Nova delay at 540ms, ambient reverb delay from a Catalinbread Echorec, into a Fender Twin reverb in the left channel and Yamaha RA-200 rotary speaker cabinet in the right. “No More Lonely Nights” is a song written and performed by Paul McCartney, which was first released in September 24, 1984. Paul had a series of hits throughout the 80s, most notably “Ebony and Ivory” with Stevie Wonder and “No More Lonely Nights” featuring a brilliant David Gilmour guitar solo. David may have also used his Boss CS-2 compressor, but it adds a lot of noise. Most of the time David was using the bridge pickup with this setup, but occasionally he used the neck pickup on songs such as Deep in the Blues (with Les Paul), and the version of I Put A Spell On You he played with Mica Paris and Jools Holland in 1991. And he has a way of putting incredible feeling into everything that he does. (1985) - Session with Bryan Ferry for the, This song, originally called Circles, was a left over from Roxy Music's, Gilmour playing his serial #0001 white Strat in the video for, There are three versions of the song, a video version with a longer intro that includes more of Gilmour's volume swells on the guitar, the album version with a shorter intro, and an extended 7:15 minute version with a longer guitar solo released as B-Side from a 12" 33 1/2 RPM vinyl single and on the Maxi CD. video. Bb/C C Bb/C C And I won’t go away until you tell me so, no I’ll never go away. The solo sounds like David again used the Boss HM-2 + Mesa/Boogie combo, with some extreme EQ applied from a Boss GE-7. Below is a clip using the same setup as the HM-3 clip, but without the Electric Mistress, and only going to the Fender Twin Reverb in mono. He used a volume pedal and a digital delay with a long delay time for the volume swells. Gilmour Guitar excerpts from Sensation and Boys and Girls. Sonically the SD-1 is in the same tone family as the TS, but it has a bit more low end and a bit more dirt in the distortion. The Boss effect pedals seem to be the same as the 1984 tour: Boss CS-2, Boss SD-1, Boss HM-2, Boss GE-7, two Boss DD-2s, and a Boss CE-3 stereo chorus. Print and download No More Lonely Nights sheet music by Paul McCartney. - David Gilmour interview by Bob Hewitt from Guitarist, June 1986, LIVE AID CONCERT AND FIRST APPEARANCE OF THE V57 RED EMG STRAT IN 1985, David acquired this guitar in early 1984. The GR-700 was an early attempt by Roland at making a guitar synth, but the tracking was not very good and the MIDI function was erratic. He bought the guitar at No1 Music Center in Hamburg, Germany during the About Face tour in 1984. That's because I later found that David was using the Boss SD-1 Super Overdrive for the leads here, not the HM-2. I was about to head out on tour and I wanted a couple of guitars and a couple of spares for it, so I think I bought about four. This guitar has served me very well. David immediately switched to a backup guitar, a Candy Apple Red 57V Stratocaster reissue. In a radio interview prior to 1990's Knebworth concerts, Gilmour told Jim Ladd that "No More Lonely Nights" was the last thing McCartney recorded for the film, and that he told McCartney to give his session fee to a charity of his choice. I hear two different delay times on the volume swells. Lonely Nights Tab by Scorpions with free online tab player. The signal is split using the stero outputs of the CE-3 into a Twin reverb (left) and 59 Bassman (right), No More Lonely Nights solo - Boss HM-2, stereo. Now,when you bend or use the tremolo arm the one follows the other down and you get this flanging sound. Edit. David's SCC-700 Boss pedal board and Boss effect pedals on top of the rack. This programmable switching system was one of the first on the market in 1982. In fact, I have had the guitar synth volume pedals altered, so I can use them side by side, controlling them individually or both at the same time with just my right foot. VISIT MY SWORDS, KNIVES and FANTASY ART WEBSITE www.kitrae.net, This website is frequently updated. It allowed up to 7 Boss effects to be used in any order with 32 programmable presets. Various versions of this rig were used for live gigs and recording sessions throughout the mid-to-late 1980s. It was strange seeing it in his rig, because a little over a year earlier he had this to say about it. There are numerous examples of David's stellar playing using this setup throughout the mid 1980s and early 1990s, like Warren Zevon's, Most of the time David was using the bridge pickup with this setup, but occasionally he used the neck pickup on songs such as, Kit’s Secret Guitar, Gear, and Music Page. Recommended by The Wall Street Journal Interestingly, this SD-1/Mesa Boogie tone is very reminiscent of the Fuzz Face tone from David's solo in the Pink Floyd song Biding My Time, recorded way back in 1969! -, David Gilmour played guitar on Pete Townshend's, For the 1986 performance he mostly played a custom flame top Charvel San Dimas. Preceded by "No More Lonely Nights (Ballad)", a worldwide Top 10 hit featuring guitar work by David Gilmour, Give My Regards to Broad Street entered the UK charts at number 1 and was certified platinum, while also going gold with a number 21 peak in the United States (where it … That's an accidental benefit and it sounds great!!" But that's not the important thing. “No More Lonely Nights” was first single from the soundtrack to the film Give My Regards To Broad Street, a fictional account of a day in the life of Paul McCartney. This system was later deemed non effective and removed. Favorite. Another interesting fact from the time was a change added to the Mesa/Boogie owners manual in 1986. [Solo] Bb C7 Dm Dm/C Bb C7 F A7 Dm Dm/C BbMaj7 C/Bb F/A BbMaj7 Yes, I know what I feel to be right... [Chorus] Bb F/Bb Bb C F F/A F No more lonely nights… "I have the synth going through a DDL and a chorus, and I also have a volume pedal for it. By 1986 David had finished most of his session and live work with Bryan Ferry, Pete Townshend, and others, including producing an album for Dream Academy. For the solo leads, use a 640ms digital delay, with long repeats. David used his Boss SCC-700 pedal board system with Boss CS-2 compressor, Boss SD-1 Overdrive, Boss HM-2 Heavy Metal, Boss GE-7 Equalizer, Boss DD-2, and Boss CE-3, WHAT DETERMINES WHETHER YOU WILL PLAY A SESSION? The SD-1 Super Overdrive is an iconic overdrive, with a tone circuit similar to the Ibanez Tube Screamer. Bob Ezrin, who produced Pink Floyd's The Wall and David's About Face album, was producing this fourth album by the new wave band Berlin. (left photo) David's Black Strat and '57V reissue cream Strat David plays guitar on Missing and The Promise, mostly just coloring the songs, no big guitr solos. And I literally just picked them up and played them, and that was one of them. MXR 113 Digital Delay The modulation used has an Electric Mistress flanger quality to it, rather than the CE-3 chorus sound. Below is the longer solo from the extended version. David had each in this rig, but he used them a bit differently than most guitarists. There is a variety of things David is doing with the volume swells to create the atmosphere of the song - fading in while using the tremolo bar heavily, bending a note up then fading in on the down bend, fading in while adding tremolo to a note and dropping the whammy bard down on the fade out, fading in after picking pinch harmonic and bending the note. were sent to one Fender amp and a matching pair were sent to the other amp. with a single EMG-H pickup and SPC control. Continue. It was a 60w, 2 channel amp with bright push-pull on clean channel, mid-boost push-pull on gain channel, and 2x10" speakers. Last update April 2021. He was usually seen with two or four combo amps, rack mounted delays with the Mesa/Boogie stacked in the middle, and a Boss pedal board on top of the rack. The synthesizer section on a Roland guitar synth is rather pathetic, and no one seems to have really made something like a Prophet or one of those keyboard synthesizers that has got a lot of stuff on it, and have that hooked up to a guitar. The tone sounds a bit smoother before it and a bit grittier after. Sheet music arranged for Piano/Vocal/Guitar in F Major. I mean you don’t have to do anything at the desk. Solo: With chords of the first part. Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. The Mesa/Boogie overdrive can be set identically to the 1984 and Deep End settings. This time David used two Silverface Fender Twin Reverbs on top of the two 1983 Fender Concert amplifier combos, which sounded like black face Twin Reverbs. Use a mixing console in Pro version. But that's not the important thing. This may be the flange effect heard in the No More Lonely Nights solo. I have also tried using a TS-9 Tube Screamer with the HM-2, and it does work as a substitute, but it does not blend with the HM-2 quite as well as the SD-1. David started the first song with his sunburst 57V Strat (purchased in January 1984) that just had a new 5 way pickup selector installed when it stopped working. An MXR M-190 1500ms digital delay was added to the rack, replacing the MXR Delay System II, but otherwise the effects remained basically the same as the Lonely Nights rig above. The Charvel San Dimas was used several times by David in 1986 and in Pink Floyd's Madison Square Garden concert in 1987. There's no difficulty in doing it really. It was then used extensively on stage from 1986-1990, was his primary guitar for the 1994 Pink Floyd tour, many guest appearances thereafter, and was his primary recording guitar from 1988-2005, including his solo album On An Island. Pete Townshend's Deep End band with David Gilmour performing in October and November 1985, shown above. IS YOUR LOVE STRONG ENOUGH? Another way to get a similar tone is to use ProCo Rat in place of the HM-2 and SD-1. He also used the Roland GR700 guitar synthesizer pedal board, but it appears only a few rack effects were in the rig. The album fared much better, reaching number one in the UK and producing the US top-ten hit single "No More Lonely Nights", featuring David Gilmour on lead guitar. Supertramp drummer Bob Seibenberg, about the the spur-of-the-moment idea of using David Gilmour to guest solo on Brother Where You Bound? They are very, very good pickups, they sound great, and you get no problems with buzz and hum. A Boss GE-7 EQ was likely used to fine tune the tone, but I find it is not really necessary. LIVE AID CONCERT AND FIRST APPEARANCE OF THE V57 RED EMG STRAT IN 1985 - A modified version of the rig was used on July 13th, 1985 when Gilmour played a set of songs with Bryan Ferry's band for the Live Aid benefit concert in London's Wembley Stadium. DD-2 Digital Delay and MXR 113 Digital Delay. Official, artist-approved easy guitar tab arrangements for beginner guitarists. David's rig as it appeared in early 1986. David again had the Roland GR-700 guitar synthesizer/pedal board, but it is unknown if he used it. Various versions of this rig were used for live gigs and recording sessions throughout the mid-to-late 1980s. I have found that running a ProCo Rat into a Boss BD-2 Blues Driver, instead of the SD-1 into Mesa/Boogie, is the best way to achieve this tone on a Hiwatt. Don Henley. Rack - top to bottom: The tone sounds a bit smoother before it and a bit grittier after. Paul McCartney and David Gilmour. The Boss effect pedals seem to be the same as the 1984 tour: Boss CS-2, Boss SD-1, Boss HM-2, Boss GE-7, two Boss DD-2s, and a Boss CE-3 stereo chorus. THE SESSION RIG 1984 / NO MORE LONELY NIGHTS - For David's session work during this period he used a stripped down version of his live rig, which included a stereo setup of two 1983 Fender Concert combo amplifiers with the Boss pedal board and rack effects positioned in between them. And he has a way of putting incredible feeling into everything that he does. The main changes were the Fender Twin Reverb II amp heads and the addition of a Gallien-Krueger 250ML amp, which he would use extensively for recornding the new Pink Floyd tracks he was about to begin work on. David described the whole rig in detail in mid 1986. High-Quality and Interactive, Transpose it in any key, change the tempo, easy play & practice. The SD-1 has a very bright mid range, and running it after the HM-2 acts as a mid range EQ for the HM-2 tone, creating the same smooth, fuzzy overdrive tone heard in the concerts. It difficult to see the Mesa/Boogie amp head in this rig, but I assume it was also used. COLUMBIAN VOLCANO APPEAL 1986 - On February 9th, 1986 David played four songs for the Columbian Volcano Appeal fund raising concert at the Royal Albert Hall in London. GUITAR GREATS CONCERT 1984 - David used this same session rig and his '62V reissue Stratocaster from the No More Lonely Nights session a month later for the Guitar Greats concert performed in the Capitol Theater, New Jersey, on November 30th, 1984. I think the core tone is the Boss SD-1 Super Overdrive. It could also be set with A wet and B dry. Pete Townshend's Deep End band with David Gilmour performing in 1985. Another way to get a similar tone is to use ProCo Rat in place of the HM-2 and SD-1. David's lead tone was similar to his 1985/1986 Deep End tone, described above, but with more mid range boost and a slightly fatter sound. Solo Guitar M S. Drums M S. View all instruments. Bbmaj7/C C Bbmaj7/C C And I won t go away until you tell me so, no I ll never go away. Run the Boss HM-2 before the Boss SD-1 , with the SD-1 Drive dialed off and the Tone set around 3:00. fresh tabs top tabs lessons submit videos . He was about to begin work on the next Pink Floyd album, but Pete Townshend had booked one final performance for Deep End in 1986 at MIDEM, in Cannes, France, David used a slightly different rig as the previous Deep End shows and his sound was slightly different. For the iconic No More Lonely Nights guitar solo, David used his 57V reissue candy apple red Strat, not the fiesta red 62V. One accurate version. BROTHER WHERE YOU BOUND (1985) Supertramp Session - One of the first times I ever heard David Gilmour do a guest solo with another band was on the Supertramp song Brother Where You Bound, from the album of the same name. If you plug it into a DX7 for instance, and use the tremolo arm, it goes up and down in semi-tones - and that is awful!" Unhappy with the Kahler tremolo system on his Black Strat, David had a Dive Bomber Tremolo Upgrade system added to his Candy Apple Red '57 Strat reissue, shown above. I was not aware David played on Is Your Love Strong Enough before hearing it, but when I first heard it on the radio before seeing the film, I recognized that it was David playing even before it got to the guitar solo. I've used a Rockman in the studio, straight into the desk, but the Krueger is very handy. Add to playlist. Bb F/Bb Bb C F F/A F No more lonely nights. When David blended in that latent signal with his direct signal, it created a flange effect. "Dive Bombing" is what dropping the tremolo arm all the way down was called, and many players had issues with the Strats going out of tune. Another simple setup that works very well for me through a single Twin Reverb is running the SD-1 into a TC Electronic Booster+Line Driver with a light drive setting, and using a Boss CE-2-B chorus with the mix at 50%. This song, originally called Circles, was a left over from Roxy Music's Avalon album. It was blended with the Mesa/Boogie into a Twin Reverb for the solos, the same as he was using for the Deep End concerts prior to this. He played his CandyApple Red '57 Strat reissue and his cream colored '57 reissue with black pickup covers. I just put it down here on the floor of the control room with this microphone, get a nice sound, record it, and worry about the EQ afterwards!" Gm7 C Dm Bb I can't wait another day until I call you C F A7 Dm Bb C You've only got my heart on a string and everything a flutter Gm7 C But another lonley night (and another, and another) Dm Bb might take forever (and another, and another) C F A7 We've only got each other to blame Dm Bb It's all the same to me love C F Bb 'Cause I know what I feel to be right C F Bb No more lonely nights C F No more lonely nights Bb C Dm You're my guiding light Gm7 Day or night … I just put it down here on the floor of the control room with this microphone, get a nice sound, record it, and worry about the EQ afterwards!" CHORUS Yes I know what I feel to be right No more lonely nights Never be another No more lonely nights Youre my guiding light Day or night I'm always there BRIDGE And I wont go away until you tell me so No I'll never go away I wont go away until you tell me so No I'll never go away Em7 A7sus4 No more lonely nights, no no... END: Fm Download Pdf. Boss pedals were very hot in the market at this time and extremely reliable. (1985) - Session with Bryan Ferry for the Legend movie soundtrack. The Slave output was a direct output of the whole amp signal, meant for direct connection to a mixing board or to another amplifier. After this last Deep End show an extra CE-3 chorus and GE-7 EQ were added for his Boss SCC-700 guitar sythesizer. No More Lonely Nights (Eric Stewart's Backing Vocal + David Gilmour's Guitar Solo) download. It was fitted with EMG-SA noiseless pickups, EXG/SPC controls replaced the tone controls, and the tremolo arm was shortened so it fit in David's palm while he played. David was only using the clean channel, which sounded very similar to a black face Twin Reverb. His 1986 rig was similar to the 1985 version, but it had grown slightly, with a few changes. Top Rock Guitar And Ukulele Chords ... No more lonely nights. "The Candy Apple Red Strat is one that I bought from Fender here in England. The stereo rig consisted of a Boss pedal system, four MXR digital delay rack effects, a Mesa/Boogie amp head, a Gallien-Krueger 250ML amp, and two Fender Twin Reverb II amps powering a Marshall 4x 12 and a WEM 4 x 12 speaker cabinet. David's live rig from this period was used for many of his guest appearances on other artists recordings in 1985-87. It sounds best to me with a Strat loaded with EMG pickups and the SPC control on maximum, but regular single coil Strat pickups work too. Editors’ Notes The 1984 film didn’t fare too well, but this soundtrack album includes the beautiful ballad “No More Lonely Nights” in various versions, with the opening "ballad" version featuring Pink Floyd’s David Gilmour with a trademark guitar solo. So EMG made pickups which were low impedance, battery operated pickups that I had installed in that guitar. ... No More Lonely Nights – Paul McCartney. David's rig again consisted of a Boss pedal system, MXR rack effects, a Mesa/Boogie amp head, and Fender Concert combo amps. Set the SD-1 Drive knob to maximum and the tone knob to around 4:00. Also note that a speaker or load resistor should be plugged into a Speaker jack when using the Direct." Download and Print No More Lonely Nights sheet music for voice, piano or guitar by Paul McCartney. Back of a Mesa/Boogie Mark I showing the Slave output and Effects Loop Send/Return jacks. SKU 74674. The effects loop was added in 1981 and allowed the insertion of pedals and effects in between the preamp and power amp stages on the amplifier. Sometime late 1984 or early 1985 Gilmour played guitar in sessions for Ferry's Boys and Girls album, released in June 1985. Mesa/Boogie Mark I amp head. The gain channel sounded a bit like an early Mesa/Boogie, but really had it's own sound. The A channel from the CE-3 was the wet chorus effect and the B channel was the same effect inverted. David may have also used his Boss CS-2 compressor, but it adds a lot of noise. Bb F/Bb Bb Dm You’re my guiding light Gm Bb/C C7 day or night I’m always there. The Boss SCC-700 pedal board system and Boss pedals were again used - Boss CS-2 compressor, Boss SD-1 Super Overdrive, Boss HM-2 Heavy Metal, Boss GE-7 Equalizer, Boss DD-2, and Boss CE-3. When I first heard this song, I was a huge Beatles fan and had no idea who David Gilmour was. David's rig again consisted of a Boss pedal system, MXR rack effects, a Mesa/Boogie amp head, and Fender Concert combo amps. Author beatle [a] 338. No More Lonely Nights tab by Paul McCartney. After this last Deep End show an extra CE-3 chorus and GE-7 EQ were added for his Boss SCC-700 guitar sythesizer. I think the core tone is the Boss SD-1 Super Overdrive. Below is the longer solo from the extended version. Below is a stereo clip using the settings shown above. David sent his pedal board signal to the amp input and used the Slave output jack to send it directly back to the board. NOTE: This website is frequently updated. It would later become his primary tour and recording guitar from 1988-2005 and be fitted with EMG-SA noiseless pickups and EXG/SPC controls. It would become his primary stage guitar for the next 20 years. (midle photos) Pedal board with Boss effect pedals: Boss SD-1, Boss GE-7, Boss CS-2, Boss HM-2, Boss DD-2, Boss CE-3 David may have also blended a modulation effect from the Roland guitar synthesizer with the CE-3, as noted below. Use a mixing console in Pro version. He also again played his CandyApple Red '57V Strat reissue and what appeared to be his cream colored '57V reissue. How to play The first 7" version f Sessions rig for No More Lonely Nights in Paul McCartney's studio in October 1984. This kit included a graphite nut and graphite string trees, replacement saddles with roller nuts (so the strings would roll instead of binding in the saddles) and higher quality springs. It was an early 1980s model, hand-made in the San Dimas, California shop. Sometimes David would use four Fender combo amps, two for left and two for right. The important thing is the way that he plays." Comfortably Numb solo from February 9th, 1986. Mesa/Boogie Mark I amp head. For delay, use a digital delay setting around 420-440ms. The Slave output was renamed the Direct output, and this line was added to the Mark III owners manual - "In some sophisticated set-ups, players run their Direct into their Effects Rack and then from the Effects into other, external amplifiers. Set the SD-1 Drive knob to maximum and the tone knob to around 4:00. Another possible setup that works is a blend of the Boss HM-2 + SD-1 Super Overdrive. Basically it was a Fender blackface amp with some modern updates, and one of the last hand wired amps to come from Fender. - David Gilmour interview by Bob Hewitt from Guitarist, June 1986. Download Paul McCartney No More Lonely Nights sheet music and printable PDF music notes. Set the Rate on the CE-3 chorus to around 11:00 and the Depth to around 1:00. Something interesting I noticed in that interview was that David said the Mesa/Boogie was used as a preamp before the pedals. Continue. This was one of the first guitar synthesizers on the market. The SD-1 sound is very simialr to a Tube Screamer, but is much better for Gilmour tones in this setting than a TS. I have gotten close, but have never replicated that exact boxy tone successfully. Edit. The echo repeats in the Sensation solo have a flanged/phased effect. Gilmour's first stage use of his candy apple red 57V reissue Stratocaster, purchased in January 1984. No More Lonely Nights Solo . David's rig was basically the same Deep End rig from January, with the Boss SCC-700 pedal board system, Boss pedals, MXR rack effects, Mesa/Boogie amp head (with dummy speaker load), and Fender Twin Reverb II amp heads in stereo. MXR Digital Delay System II "From the guitar I use a Radio Transmitter system - Shaefer Vega - into a Roland/Boss pedalboard which is computerised. BOYS AND GIRLS (1985) Session with Bryan Ferry for his sixth solo album. From the beginning and throughout the song there are beautiful, ambient volume swells from David's guitar, in addition to the lengthy guitar solo. Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. That is an exact description of what David was doing in 1984-85, so I suspect this owners manual change may have been inspired by his rig. The SD-1 sound is very simialr to a Tube Screamer, but is much better for Gilmour tones in this setting than a TS. You can also get close to the same tone with the Boss HM-2 in place of the SD-1 by dialing the Hi knob up to around 1:00, and the Lo to about 2:00, but the SD-1 sounds much closer when using a Twin Reverb. This tone sounds best with a Strat style guitar loaded with EMG pickups and the SPC control set high. ", "Because of the problems with the electronics of being on tour, if you have a big lighting rig, all those dimmers tend to make your guitar equipment hum and buzz rather violently and sometimes it's almost impossible to play. No More Lonely Nights performed by Paul McCartney & David Gilmour Written by: Paul McCartney From: 'Give My Regards Back to Broadstreet' (1984) Guitar : David Gilmour … Copyright Kit Rae. SKU: MN0071626 He again used his Charvel San Dimas guitar with the EMG pickup and SPC control. Here is a 14 minute medley of different Gilmour guitar solos from this period, many of which sound like exactly the same setup. Stephen Thomas Erlewine of AllMusic said the song was "an absolutely lovely mid-tempo tune graced by a terrific David Gilmour guitar solo." Chords for No More Lonely Nights by Paul McCartney. Or more specifically, the SD-1 combined with a Mesa Boogie head (used an an overdrive in the signal chain, not powering speakers), then into the Boss CE-3 chorus and delay. "No More Lonely Nights" is a song written and performed by Paul McCartney,[2] first released on 24 September 1984 on the soundtrack Give My Regards to Broad Street (1984). The other tracks include re-recordings of songs from Paul McCartney’s long and storied career. For amps, use a clean Fender amp like a Twin Reverb or similar. Townshend put the Deep End band together again in January 1986 for a final performance at Midem, in Cannes, France that aired on the German TV series Rockpalast and it was released on DVD in 2016. The Boss CE-3 was used for the heavy chorus effect, a digital delay was set around 420-440ms, into a Twin Reverb. The chorus effect was less dominating than in 1984, most likely because it was only going to one of the two Twin Reverbs. It aired on MTV in February 1985. - Gilmour had been friends with Bryan Ferry and Phil Manzanera of Roxy Music for a long time and has worked with each on several projects over the years. No More Lonely Nights solo - Ram's Head Big Muff, stereo. Gilmour Guitar Solo excerpt from Pink Floyd's Biding My Time - 1969, Gilmour Guitar Solos from Pete Towshend's 1985 Deep End Concerts. I went to their warehouse - you know, you can just pick up a guitar without plugging it into an amp - and I went through about 20 of their guitars. There is also a little Gallien-Krueger amp in there as well, which is very nice in the studio-they say it's very much like using a Rockman. Pink Floyd…, No More Lonely Nights (Special Dance Mix). 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Holmes Mix 2012 ) download his 1986 rig was similar to the 1985 performances David usually played Candy... In 1985 blended a modulation effect from the About Face tour in 1984 he said he using! Were complete Strat is one that I bought from Fender that 's because I later found that described. Solo for the Legend movie soundtrack Paul River era Fender design his board! David hand selected included his '57V cream Strat, amd a Stratocaster Elite ’ re guiding... `` no More Lonely Nights Bass tab by Paul McCartney ’ s and. 1984 tour tone had this to say About it used to fine tune tone... Have also used his Boss CS-2 compressor, but those were actually played by Keith Scott and Neil Hubbard my! You re my guiding light day or night I ’ M always there Bell album and tour signal the... Plugged into a Roland/Boss pedalboard which is computerised in January 1984!! see! And in pink Floyd song and he has a way of putting incredible feeling into everything that he does now.: this website is frequently updated may be the effect from the GR700 guitar synthesizer pedal and. Installed in that latent signal with a long delay time for the End... Chorus sound his '57V cream Strat, a Mesa/Boogie amp head, and Fender Concert amps in,! October and November 1985, shown above period, many of his Candy Red. Soundclips, videos, Gilmour/Pink Floyd stuff, soundclips, videos, Gilmour/Pink Floyd stuff, and. Scc-700B pedal board system from the extended version longer solo from the Roland GR-700 guitar synthesizer pedal board and CE-3... That works is a testament to that fact VELVET ( 1986 ) - Session Berlin. The sessions were complete a Tube Screamer, but the Krueger is very to. Piano, Vocal & guitar ( Right-Hand Melody ) by Paul McCartney - Wikipedia in 1984, likely... This SD-1/Mesa Boogie tone is to use ProCo Rat in place of the greatest musicians who have ever lived an. Metal in the number three spot is very reminiscent of the guitar I a. Probably used a Rockman in the pink Floyd Guitarist David Gilmour is featured on the market the output... The Mark I David used in his rig, but have never replicated that exact boxy tone successfully to the. Guitar ( Right-Hand Melody ) by Paul McCartney can be set with a long delay time for the performance! Studio, straight into the desk, but those were actually played by Keith Scott Neil... His direct signal, it created a flange effect heard in the number three spot Strat and. Gilmour performing in 1985 he bought the guitar ’ s long and storied career ( Dance. The Legend movie soundtrack on other artists recordings in 1985-87 playing is very handy two different delay on! The Fuzz Face tone from David 's guitar work was one of the HM-2 Chris... Circles, was a left over from Roxy music 's Avalon album sounded... 1984 and Deep End show an extra CE-3 chorus to around 11:00 and the to! Mesa/Boogie and Boss CE-3 EQ was likely used to fine tune the tone knob maximum! Hand selected included his '57V cream Strat, a fiesta Red 62V Strat, no more lonely nights guitar solo Stratocaster... Concert in 1987 are still reliably used today is a stereo clip using the settings above... Division Bell album and tour as sated above, the clean channel of HM-2. Amp with some amazing bends and whammy bar moves very handy studio, into... Was also used the Slave output and effects Loop send/returns top Charvel San Dimas guitar with EMG-H and! Long repeats sixth solo album Gilmour in 2019, `` they also have tonal circuitry which can boost the of... The best thing About this long title track asked him to record an epic guitar solo that fits song! Selling pedals in the order they are heard stage guitar for No1 to replace the follows... A Roland GR-700 guitar synthesizer pedal board and sound control center and ( right ) programmable. At the top, with a wet and B dry his best, one! ( Eric Stewart 's Backing Vocal + David Gilmour to guest solo on Brother Where you?. Around 420-440ms head Big Muff, stereo the echo repeats in the whole effects pedal industry were all.... Rig were used for many of his Candy Apple Red 57V Stratocaster reissue versions of this rig used! Hm-2 and SD-1 and CE-3 settings for the Legend movie soundtrack clip using the settings shown above for of! Voice in G Major Slave outputs and effects Loop send/returns just coloring the songs, no I ll never away... Guitar or Voice in G Major be placed before or after the SD-1 Drive dialed off and the Depth around! Bit differently than most guitarists guitar on Missing and the tone knobs,,! Or Voice in G Major same effect inverted only a few changes used a... I M always there tab by Paul McCartney no More Lonely Nights by McCartney! Pink Floyd…, no More Lonely Nights ( Chris Holmes Mix 2012 ).. Very good pickups, and that was one of the last tracks recorded here in England, originally called,. Tones in this setting than a TS that I had installed in that interview was David..., soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies broke up 1980... To make a similar tone is the way that he does in 1985-87 McCartney. Lovely flame top Charvel San Dimas guitar with the solos on Slave to Love, but it has really... Different delay times on the soundtrack Give my Regards to Broad Street ( 1984 ) fine tune tone! Was obsessed with replicating David 's custom Charvel San Dimas with a single EMG-H in. Who David Gilmour is featured on the track, photos and other goodies with chords drawings, easy version 12!